10
Jan
Mumbai (Maharashtra) [India], January 10: For years, people have been predicting an inevitable cooling-off period. The “peak K-wave.” The moment when Korean content would politely bow, smile for the cameras, and retreat back into niche fandoms. And yet, week after week, streaming charts tell a far less dramatic story. Korean shows are not spiking. They’re camping. Titles like Culinary Class Wars and The Great Flood continue to occupy top positions on global non-English streaming charts, not as viral anomalies but as reliable performers. No hysteria. No novelty shock. Just steady, almost inconvenient consistency — the kind that makes industry analysts…
