Entertainment – Page 7 – THE ECONOMIC INDIA

09 Jan

Women in Indian Hip-Hop Push Back Against Industry Stereotypes

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Mumbai (Maharashtra) [India], January 9: Maybe a score years or a decade ago, boys would listen to Rakim and J. Cole, and girls would listen to Lady Gaga. That was all. The time when India was still reluctant about rap culture. Guys here and there were listening to Baba Sehgal and Bohemia tracks, where the lyrics were brutal, and the genre seemed misogynistic to most of us. Cuss in lyrics and buzz for objectifying women, and a hammer still missing, one that would shatter the glass ceiling. A few flop tracks about social change were choking on their own…

09 Jan

MISSION BHARATAM TEASER OUT: Heramb Tripathi’s Spy Thriller Is A Roaring Warning To Global Enemies

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Mumbai (Maharashtra) [India], January 9: Just when the audience thought the patriotic genre had reached its saturation point, a new teaser has arrived to shake the very foundations of the Indian spy-universe. The makers of “MISSION BHARATAM” have finally dropped their first official teaser, and it is safe to say that social media is currently in a state of total meltdown. Produced under the prestigious banners of Silver Dagar Production Pvt Ltd and R D Bioscope (OPC) Pvt Ltd, this film is not just a cinematic treat—it is a loud, clear, and fierce message to the world. The Teaser Breakdown:…

08 Jan

First Announcement: Janmmejaya Headlines ‘Ramyaa’, A Powerful Title-Role Film Directed By Santosh Parab

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Mumbai (Maharashtra) [India], January 8: A new title-driven film, Ramyaa, has been officially announced, marking actor Janmmejaya most intense and transformative lead role to date. Directed by Santosh Parab, the film promises a gripping cinematic experience rooted in emotion, character, and consequence. Indian cinema has a rich legacy of films where the title character becomes iconic roles that leave a lasting imprint on audiences. Ramyaa enters this space with a fresh and contemporary voice, focusing on the inner journey of its protagonist rather than spectacle alone. Janmmejaya steps into the title role of Ramyaa, delivering a performance that is being described…

06 Jan

Still Absurd, Still Profitable — Why SpongeBob’s Latest Big-Screen Detour Is Both a Victory Lap and a Reality Check

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Mumbai (Maharashtra) [India], January 6: Some characters age. Some franchises retire with dignity. And then there’s SpongeBob SquarePants — a porous yellow optimist who has outlived formats, platforms, cultural cycles, and several generations of irony. The SpongeBob Movie: Search for SquarePants, arriving as a global box-office conversation in late 2025 and early 2026, is not a nostalgia accident. It’s a strategy. A loud, bubble-blowing, slightly unhinged strategy that primarily works — and occasionally reminds us why not every childhood memory needs a cinematic rescue mission. The SpongeBob Movie: Search for SquarePants has crossed its first significant global box-office milestone this weekend,…

05 Jan

Many Winners, No Monarch: How Bollywood’s Clean Hits Of 2025 Quietly Rewired The Box Office

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Mumbai (Maharashtra) [India], January 5: For once, Hindi cinema didn’t wake up obsessing over a single saviour. Bollywood’s no one film was burdened with the responsibility of “reviving” the industry, rescuing exhibitors, or restoring audience faith. And perhaps that’s exactly why 2025 worked. This was not the year of a messiah movie. It was the year of plural success. From historical epics to rooted folklore, from star-driven spectacles to quietly confident narratives, several Hindi films crossed the elusive “clean hit” mark at the box office. Titles like Chhaava, Kantara: A Legend – Chapter 1, and Saiyaara didn’t just mint money—they…

05 Jan

Avatar: Fire And Ash Proved Spectacle Still Sells — Just Not Like It Used To

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Mumbai (Maharashtra) [India], January 5: There was a time when an Avatar release didn’t merely arrive—it rearranged the global box office calendar. Studios stepped aside. Competitors rescheduled. Analysts sharpened pencils and prepared to rewrite annual forecasts. The franchise wasn’t just cinema; it was a gravitational event. In 2025, Avatar: Fire and Ash arrived differently. It still earned an astonishing $935 million worldwide, placing it comfortably among the highest-grossing global films of the year. By any rational standard, that figure screams success. Yet the conversation around the film has been strangely muted, tinged with an unfamiliar question: Was this enough? That…

03 Jan

When Streaming Becomes The Main Character: How The Ba**ds Of Bollywood Boldly Redefined Indian Pop Culture In 2025

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Mumbai (Maharashtra) [India], January 3: For decades, Indian pop culture followed a familiar hierarchy. Films reigned supreme, television followed obediently, and web series were the new kid allowed to sit at the table—politely, conditionally, and only after the elders finished speaking. In 2025, that seating arrangement collapsed. When The Ba**ds of Bollywood emerged as the most-popular Indian streaming show of the year on IMDb, it didn’t just top a list. It signalled a recalibration of cultural power—one where audience obsession, not box office collections, dictates relevance. No firecrackers. No industry-wide announcements. Just numbers quietly telling the truth. This isn’t a…

03 Jan

When Hawkins Bought Popcorn: How A Streaming Finale Accidentally Reminded Cinemas Why They Exist

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Mumbai (Maharashtra) [India], January 3: For years, cinema owners were told—gently, repeatedly, and sometimes smugly—that streaming had won. The couch was king. The algorithm was good. And theatres, poor souls, were merely nostalgic monuments with sticky floors and overpriced nachos. Then Stranger Things ended. And people—millions of them—put on real pants, left their homes, and lined up for popcorn to watch a show they could have streamed perfectly well on their own screens. Irony has never tasted this buttery. The series finale’s hybrid release on New Year’s Eve quietly detonated one of the more fascinating box office surprises in recent…

03 Jan

Ikkis OTT Release 2026: The Celebrated Final Act of a Bollywood Legend’s Journey

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New Delhi [India], January 3:Ikkis OTT Release 2026 – A war drama with more heart than hype, Ikkis hit theatres on January 1, 2026 and became one of the most talked-about Bollywood releases of the year — not because it was loud, but because it was real. It’s a film that doubles as a tribute to a legend and a launchpad for the next generation. This is not a breezy commercial flick. It carries the weight of a final curtain call for Dharmendra, one of Hindi cinema’s most enduring icons. That alone makes Ikkis unforgettable. A Film Steeped in History…

02 Jan

‘Draupathi 2’, a Pan-India Historical Film, Clears Censor with U/A Certificate

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Mumbai (Maharashtra) [India], January 2: Draupathi 2, the much-anticipated sequel to the blockbuster Tamil film Draupathi (2020), has officially cleared the Central Board of Film Certification (CBFC) with a U/A certificate, marking a major milestone ahead of its pan-India theatrical release. Directed by Mohan G Kshatriyan, Draupathi 2 follows the remarkable success of Draupathi (Part 1), which made history as Tamil cinema’s first crowd-funded film. Produced on a modest budget, the film went on to collect nearly 25 times its production cost, earning recognition as one of the most profitable and successful films in Tamil cinema. Mohan G Kshatriyan has…